Ahoy, squirts! Quint here with an early review of a flick not slated to hit theaters until January of next year called I LOVE YOU, MAN starring Paul Rudd and Jason Segel, both very, very funny men. Based on the cast (and cameo) list alone, I'll be seeing this. I'm a sucker for crazy comedian cameo-laden movies... Here's an unnamed source with his/her/its thoughts on the flick!

PAUL RUDD in "I LOVE YOU, MAN"

The film is written and directed by John Hamburg, who directed the Ben Stiller comedy "Along Came Polly," which holds a 26 percent rating on Rotten Tomatoes. Seeing that "I Love You Man" is a film starring Paul Rudd and Jason Segel, I figured Judd Apatow had something to do with the flick, but he didn't. Ivan Reitman helped produce, so maybe that's how it got made, who knows.

First and foremost, Paul Rudd is fucking great. Just great. He has a million of these nervous ad-libbed nonsensical words he says throughout the film that are hilarious. Viewers will be quoting two things when leaving the film: "Jobin" and "Slappin' da bass."

The story is about a guy (Rudd) with no guy friends who sets out to find a best friend to be his best man at his wedding to the smoking hot Rashida Jones (from The Office). He meets Segel and the two become best friends. I like the tentative title "Bromance" better than "I Love you Man," but I'm not the studio. Anyway, the movie is full of great cameos like J.K. Simmons (the pompous newspaper editor from Spiderman) as Rudd's dad, and Andy Samberg as Rudd's gay advice-toting personal trainer brother. Dangle from Reno 911 also plays a funny gay guy who hangs out with Rudd thinking they are on a date, and that little weird guy from Superbad (the guy who hits Jonah Hill with his car then takes he and Michael Cera to that party) is a funny little excited character whose voice cracks every three seconds. Jaime Pressly is Rashida Jones' best friend and Jon Favreau plays Pressly's husband, and they are funny as shit, especially Favreau with his dry sense of comedy.

There are a few formulaic parts such as the ending, but there's enough funny stuff in there to make it overall recommendable.

Segel spouts nuggets of wisdom and drifts through life just like the Dude in Big Lebowski, but I'm not sure why they made him dress just like the Dude, that made him look like a younger rip-off. And Lou Ferrigno (who plays himself) is featured prominently because Rudd is trying to sell Ferrigno's house. The only thing that irked me is that in one scene, Ferrigno is chatting on a cell phone. He's fucking deaf. What dumbass writer in Hollywood makes that mistake? John Hamburg, I guess. It would be different if Ferrigno was playing someone else, but he's playing Lou Ferrigno, a famous 85% deaf lip-reader, and they have him on a cell phone as if people will forget that the man cannot hear.

Segel gets a C+ cause his comedic timing was good but he's not that memorable, Rudd gets an A cause now I want to watch more films of him as the main part, Favreau gets a B+ cause he made me laugh out loud, all the minor cameos get a B cause they all made me laugh with their limited screen time. The director John hamburg gets a C because the style was very vanilla and any director worth his salt could have made a funny film with all those great people. Give me your style, make it unique, put your stamp on the film, then I'll respect you as a director. None of these were done. Overall, it's a film worth seeing. High marks for unexpected laugh: the projectile vomit scene.

There's my review. In case you were wondering.